Following is the full text of Prime Minister Narendra Modi's address from the ramparts of the Red Fort on the 73rd Independence Day.
'An America at war with itself, groaning under a mounting debt, with woolly-headed economic policies of a neophyte president who is more feared and suspected among the comity of nations does not augur well for the world.' 'It would be well justified in asking,' says Shreekant Sambrani, '"Is this how you expect to make America great again, Mr President?"'
'People need to offer me exciting stuff. I am stuck in a rut. People keep exploiting what has worked for me in a film, so they offer me the same thing over and over again. I guess people need to see me for the person that I am, and give me youth-centric roles, make me act with actors who are closer to my age.' Prachi Desai believes she can do 'a lot more'!
'While I am personally pained at the raids on Dr Roy's home, I want to ask five questions of those crying themselves hoarse over the attack on the "freedom of the press",' says Sudhir Bisht.
Theatre director Saif Hyder Hassan talks about his new play Ek Mulaqat.
In the pitch dark of the African night, a herd of cape buffaloes gather at the watering hole for a drink, taking care to stay by the edge to avoid the crocodiles lurking in the depths. In Gangiova, a village in Romania, a doctor places her stethoscope to the chest of a newborn baby, listening intently for the beating of his tiny heart. These are just some of the moments that have been picked by the judges for the Sony World Photography Awards. For the 2017 competition, photographers entered 227,596 images across the awards' Professional, Open and Youth categories. The Open competition winner will receive $5,000 (Rs 3.3 lakh), Sony digital imaging equipment and flights and accommodation to the awards ceremony at Somerset House in London. Sony World Photography Awards has been kind enough to share some of their shortlisted pieces with us.
Monisha Dudaney tells you how your partner will behave according to his/her star sign.
Amitabh Kant tells Rahul Jacob how India could be made an easier place to do business in and why India's software smarts will give it an edge.
Indrani is clearly in charge in her little corner. She is speaking rapidly to a not-very-tall, pot-bellied, balding man, whom she repeatedly, decisively, asks, "Have you understood?" The tone is that of a boss talking to an employee. The words "cheque" and "two lakhs" float by.
After ten minutes no one could keep track of the legal team's questions on the geography of the route Sandeep Patil took on his Pulsar Bajaj motorcycle, on the morning of April 25, 2012. Not the judge. Or the onlookers. Least of all Patil.
Of all the other cities in India, Bangalore is one city, where you can actually walk around and take in the crowd and confusion, says Sumit Ganguli.
For all the blame-game over the flood preparedness in Chennai and elsewhere in Tamil Nadu and Puducherry, this is not the first of its kind. Nor would it be the last, given the nature of the north-east monsoon, says N Sathiya Moorthy.
'Saif is very passionate as an actor. He is always thinking way ahead. He wants to make movies for the future. He doesn't necessarily stick to the current trends.' Director duo Raj Nidimoru and Krishna DK discuss Happy Ending.
Monisha Dudaney tells you what the stars predict for the coming months.
Prem Panicker, on the Rediff chat, delves on what went wrong for Team India and what to expect from Sunday's trans-Tasman World Cup final.
'The man who never knows when he is beaten deserved, on the day he played what will be his last World Cup game, mates who were not beaten in the mind before they were beaten on the field.' Prem Panicker salutes 'India's best one day captain by a long margin who led superbly throughout the tournament.'
Dani Alves has blamed the media for Brazil's unsuccessful World Cup campaign but conceded that the team did not prepare properly ahead of the humiliating 7-1 defeat by Germany in the semi-final.
'The new Indian cinema has still not found its voice and identity. It's trapped under the deadwood weight of Bollywood and popular Indian cinema.'
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